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Oil on canvas 42" x 36" -
Oil on canvas 48" x 36" -
Oil on canvas 36" x 24" -
Oil on canvas 36" x 24" -
Oil on canvas 36" x 24" -
Oil on wood panel 16" x 16" -
Oil on canvas 36" x 38" -
Oil on canvas 22" x 30" -
Oil on canvas 22" x 28" -
Oil on canvas 20" x 30" -
Oil on canvas 24" x 24" -
Oil on wood panel 18" x 31" -
Oil on canvas 12" x 34" -
Oil on canvas 36" x 36" -
Oil on canvas 20" x 24" -
Oil on canvas 24" x 18" -
Oil on canvas 18" x 24" -
Oil on canvas 18" x 24" -
Oil on canvas 18" x 24" -
Oil on canvas 18" x 24" -
Oil on canvas 24" x 18" -
Oil on canvas 36" x 12" -
Oil on wood panel 18" x 24" -
Oil on canvas 20" x 20" -
Oil on wood panel 16" x 16" -
Oil on wood panel 16" x 12" -
Oil on canvas 16" x 20" -
Oil on canvas 16" x 20" -
Oil on canvas 20" x 16" -
Oil on canvas 24" x 18" -
Oil on canvas 24" x 10" -
Oil on canvas 12" x 12" -
A versical nonsensification by the man who introduced you to modern day disciples and latter day saints. What you would expect if you put Charles Bukowski and Philip Larkin in a blender; a palatably lecherous collection of 21st century disgruntlement. -
Saint Thomas of Egmont suggests a world in which Saint Thomas the Disciple (Doubting Thomas) returns to plague the residents of a sleepy West Coast fishing Village. Non-stop action and humour abounds in George Connell's sophomore offering. -
Take four Arts students living in one apartment in Lower Westmount during the worst snowstorm in Montreal history, a hockey playing dwarf named Cameron Mitchell, a holy apparition of Jesus and Mary, and a cursing priest in the person of Father Ferdinand Fortinbras, and you have some of the ingredients for The Rise and Fall of the House of Chumley. Now in its second printing, The Rise and Fall of the House of Chumley continues to entertain onychophagiists from 12 to 120. -
